Despite all facts about the wartime conduct of the German military forces, the myth of the "impeccable Wehrmacht" was maintained. The Wehrmacht was, admittedly, "guiltily entangled" (Ursula von der Leyen), but it was not a systemic factor in a Nazi geopolitics that transgressed all norms and values.
It was not until the 1990s that the exhibition
War of Extermination: Crimes of the Wehrmacht 1941−1944 first brought to the attention of a broader public the systematic and strategically planned involvement of the military in the East. Hannes Heer, who was responsible for this first "Wehrmacht exhibition", indicates some of the ways that the military death machine was whitewashed in the early Federal Republic, ways that are hardly conceivable today:
"…the Adenauer government used the opportunity to secure amnesty for the
Wehrmacht with its ten million soldiers deployed on the Eastern front alone. And the Western Allies were forced to accept it…"
[3] In 1951 Eisenhower, former commander-in-chief of the Allied forces in Europe and later NATO commander-in-chief, said publicly that the German soldier had not lost his honour and that there was a sharp division between Hitler and his criminal group and the Wehrmacht.
[4] Criticism of this view of history has often been suppressed. Books — e.g. by Heinrich Böll or Siegfried Lenz, Erich Maria Remarque — were either not published, completely reformulated, or falsified in translation, as with
The Diary of Anne Frank. Films that recalled the Nazi dictatorship and the crimes of the Wehrmacht were re-written during dubbing (
Casablanca), or banned, or removed from competitions, as was the case for
Night and Fog, the first post-war documentary film about concentration camps and Nazi terror by Alain Resnais. It was dropped at the Cannes Festival in 1956, following intervention by the German government.